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Designers

Delo Lindo

Interior architecture display design

Interior design for the Ton sur Ton shop, Paris
Design of glass-showcases for the reading room of the Musée de l'Histoire de France
Hôtel de Soubise, Paris
Scenography for the exhibition "Mettez le Paquet" at the Musée des Arts Décoratifs, Paris
Interior design for the counseling office of SEITA, Paris
Design of a display pannel for the Parc Naturel Régional de Lorraine
Furniture design for the Orchestre National d'Ile de France
Since 1996 scenography for the fashion fair Expofil, Branly / Villepinte, Paris

Major shows

1989 Biennale of Barcelona
1991 Exhibition "Capitales Européennes du nouveau design :
Barcelone, Düsseldorf, Milan, Paris" Centre Georges Pompidou, Paris
1991 Exhibition "DELO LINDO" - VIA. Paris
1992 Unviversal Exhibition - Seville . Exhibition Galerie Dilmos, Milan
1994 Collective exhibition "En dehors" Bourses du Fiacre
1996 Ceramic Network, Limoges
1997 Exhibition "Made in France" at the Centre Georges Pompidou, Paris
2000 Exhibition "Chez Valentin" gallery Chez Valentin, Paris
2001 Exhibition "Contenants" DELO LINDO galerie de/di/by
2001 Exhibition "Janvier " gallery Chez Valentin, Paris
2002 Exhibition "Dessus Contre" gallery de/di/by, Paris
2002 Exhibition "Une petite maison interessante  habter" Villa Noailles, Hyères
2002 Biennale de St. Etienne, "Workshop"
2003 Exhibition "Objectar", Barcelone

Information from Delo Lindo web site.


Giampaolo Allocco

"Delineo" derives from the Latin and it means "he who draws." Delineodesign is the pseudonym with which I sign my projects. My name is Giampaolo Allocco and I grew up in Italy between Turin and Treviso. I have assimilated experience of product development, of engineering, of marketing and of strategy consulting.  For some years I have realized projects in Italy and to the foreign countries as freelances in the sectors of the snowboarding, formula one, ski boots, bike and complemented by getting innumerable recognitions.

 Today I am placed side by side from a creative team and of great personality that they works in synergy with clients around the same objective. I desire that the result of every project to be recognizable and essential as the gesture of the hand. I follow the thread usual conductor, I submit me to the search and I look for the same emotions that have driven me to today.


Konstantin Grcic

Konstantin Grcic was born in Munich, Germany in 1965. After training as a cabinet maker at Parnham College in England he studied Design at the Royal College of Art in London from 1988-1990. Since setting up his own design practice Konstantin Grcic Industrial Design in Munich in 1991 he has developed furniture, products and lighting for some of Europe´s leading design companies such as Agape, Authentics, ClassiCon, Driade, Flos, Iittala, Krups, Lamy, Magis, Moormann, Moroso, Muji, Whirlpool. Konstantin Grcic creates industrial products widely described as pared down, simple, minimalist. What sets him apart from the minimalism in fashionable currency today is that he defines function in human terms, combining maximum formal strictness with considerable mental acuity and humour.

Many of his products have received prestigious design awards. In October 2000 Konstantin Grcic is nominated "Guest of Honour" at the Interieur Biennial in Kortrijk/Belgium presenting an extensive show of his work. The Mayday-lamp produced by Flos was selected into the permanent collection of the Museum of Modern Art in New York and won the Compasso D´Oro in 2001.


Laura Tombari

I am 28 years old, from 1995 to 2000 I have frequented the Institute of Art of Urbino "School of the book" achieving the diploma in "advertising Graphics and Photo" with 100/100. In the year 2000, after having overcome the test of admission, the course of Degree I have enrolled to in Industrial Sketch, near the Polytechnic in Milan, where on July 24th 2003 I have achieved the degree in Industrial Sketch with 104/110.

My job is my life, creating, conceiving I succeed in expressing my person, the objects that I plan are expression of my creativeness of my fancy. From May 2006, I have undertaken the free profession, creating one study of mine of Industrial Design and Graphics, receiving the special mention to the Contest Young and Design 2008 with the chair Flower.



Olaf von Bohr

Born in Salzburg, Austria in 1927. After learning the woodwork process, production of furniture and architecture at school in Munich, moved to Milan in 1953 and worked at Gio Ponti's office. Then established his own office in 1960, worked in collaboration with Sergio Asti, Franco Albini, BBPR.

Coat hook presented at Kartell in 1975 was selected as a permanent collection of MoMA. And Isis chair presented at Kartell won the Chair of the year at international furniture competition in 1997. He designs actively in many fields.


Robin Day

1915 Born in High Wycombe.

1934 Working in local furniture factory.

1934-39 Scholarship to Royal College of Art.Freelance practice as graphic and exhibition designer.

1949 In partnership with Clive Latimer, won first prize in New York Museum of Modern Art International Competition for design low cost furniture.

1951 Designer of section of Home & Gardens display at Festival of Britain exhibition.
Commissioned to design auditorium seating and other furniture for Royal Festival Hall.
Gold Medal for design at Triennale Exhibition, Milan.
1953 Silver Medal for design at Triennale Exhibition, Milan.

1957 Two Design Centre Awards.
SIAD Design Medal.

1959 Elected Royal Designer for Industry.

1961 Design Centre Award.

1965 Design Centre Award.

1966 Design Centre Award.

1983 Received the OBE (Officer of the Order of the British Empire).

1991 Appointed Senior Fellow, Royal College of Art.

1997 Made Honorary Fellow of the Royal Institute of British Architects.

Although best known as a furniture design, Robin Day has worked in many fields of design including graphics, exhibition and interior design, the radio and television receiver industries, the carpet and vinyl industries and the design of the interior of the Super VC10 and other passenger aircraft.

In 1949 was co-winner of first prize in Museum of Modern Art New York competition for low cost furniture.
In 1950, began designing for Hille, a smell firm making mainly reproduction period furniture. Soon became their design consultant developing ranges of modern contract furniture. This firm grew into a major producer of modern furniture.
In 1951 was commissioned to design furniture for Royal Festival Hall including auditorium seating which s still in place. Designed furniture for many important building in the UK and abroad, notably for concert halls and theatres, airports, stations and sport stadiums. Pioneer development of injection moulded plastic one piece chairs of which tens of millions have been sold world wide.

From 1937 to 1962 Design Consultant to the John Lewis Partnership.
Has served on juries of many National and International design competitors.
Is now designing seating for schools to conform to new European Standards.
Has recently designed outdoor/indoor seating for Magis.


 

Rodney Kinsman

Professor Rodney Kinsman, RDI.

Chairman and Managing Director of OMK Design Ltd. Visiting Professor at Central Saint Martins College of Art and Design. Royal Designer for Industry. Fellow of the Chartered Society of Designers, Fellow of the Royal Society of Arts, and Fellow of the Royal College of Art. Director of East One Restaurants and Kinsman Associates Ltd.


Omkstak, 1971
Tubular steel, epoxy-coated pressed sheet steel
Design: Rodney Kinsman
Production: MAURO MININI  ITALY

Light, compact and easy to stack, the Omkstak chair, developed in 1971 by the British designer Rodney Kinsman (1943-) became one of the most popular chairs of the 1970s. A rational design, which was conceived specifically for efficient, inexpensive volume production, the Omkstak is now regarded as an enduring symbol of the "high tech" style of interior design. Born in London, Kinsman studied furniture design at the Central School of Art there and founded OMK Design in 1966 with fellow graduates - Jurek Olejnik and Bryan Morrison. Structurally the Omkstak combines characteristics of Hans Coray's 1939 Landi chair and David Rowland's 1963 40/4, yet Kinsman added a dash of pop flair in the vivid colours of its epoxy-coated seats,

Museum

Omk Chair is in the permanent collections of various Museums including the Philadelphia Museum in the Usa ,Victoria and Albert Museum in London , Design museum in london , and the Kunst Museum in Germany, Die Neue Sammlung Munchen, Germany, Design Center Stuttgart, Germany .

Publications

It is also featured in numerous Publications : 1000 Chairs , Taschen, Charlotte & Peter Fiell, 20H CENTURY FURNITURE Philippe Garner ,MODERN CHAIRS V & A in support of the Whitechapel gallery ,HIGH_TECH Suzanne Slesin & Joan Kron ,THE HISTORY OF FURNITURE Sir Francis Watson MODERNE KLASSIKER Schoner Wohnen Publication ,MODERN CHAIRS Fiell for Benedikt Taschen,DESIGN OF THE 20TH CENTURY Charlotte & Peter Fiell Taschen ,Phaidon Design Classics .


Ron Arad

Born: Tel Aviv 1951, son of painter mother and photographer father.

1971-73 Jerusalem Academy of Art.

1973: Moved to London.

1974-79: Architectural Association - School of Architecture, studies under Peter Cook and B. Tschumi.

1981: Established One Off Ltd. with Caroline Thorman in Covent Garden, London, a design studio, workshops and showroom.

First success with a range of furniture and interior structures in tube and cast iron fittings. Well known pieces include the ‘Rover Chair’, the vacuum-packed ‘Transformer’ chair and the remote controlled ‘Aerial’ light. Later work explored the use of tempered steel, first in the ‘Well-Tempered Chair’ and later in the popular ‘Bookworm’.

1989: Founded Ron Arad Associates, Architecture and Design practice with Caroline Thorman in Chalk Farm, London.

1993: One Off is incorporated into Ron Arad Associates.

1994: ‘Ron Arad Studio’ established in Como in 1994 to continue and expand on the production studio pieces as previously produced in the London workshops. The facilities of the Ron Arad Studio hugely expanded the possibilities in regard to materials, technique and engineering, allowing for such pieces as ‘Box in 4 Movements’ (with a torsion sprung ratchet mechanism) and ‘R.T.W.’, (a free-rolling large wheel with inner shelving that always remains parallel to the floor) to be produced. Installations for ‘L’Esprit du Nomade’, Fondation Cartier, Paris and The Domus Totem for the Trienale in Milan.

Ron Arad was Professor of Product Design at the Hochschule für Angewandte Kunst in Vienna from 1994-7. Professor of Furniture Design at the Royal College of Art in London, 1997. He is currently Professor of Design Product at the RCA.

He was guest Editor of 1994 International Design Yearbook and Designer of the Year, 1994. His work has been widely featured in many design/architectural books and magazines worldwide.

Ron Arad has run several design workshops for students, including those at the Vitra Design Museum in Weil am Rhein, Germany, Vitra Farm in France and Ravenna in Italy. He continues to lecture on his work regularly at universities and design schools worldwide.


 

Sabrina Bettini

I graduated in architecture to the university Mackenzie of St. Paul and began to work near some offices of first architecture in Brazil and subsequently in Italy where I had transferred since 2003, with mature meaningful experiences on the field and contemporarily getting the degree near the IUAV in Venice.

Thanks to the meeting with Stefano Sandona I actually undertook a series of collaborations in the field of design to become integral part of the study.


Stefano Giovannoni

Stefano Giovannoni, born in La Spezia in 1954, graduated in Architecture in Florence in 1978, he lives and works in Milan. Since 1979 he has taught and done research at the Florence Faculty of Architecture; he is master-professor at Domus Academy in Milan and at the Università del Progetto in Reggio Emilia. He has been invited for workshops at the Royal College of Art in London, at the Academy O. Kochoska in Wien, at the Hochschule der Bildenden Kunst in Saarbrücken and at the Design Quest in Osaka. He works as an industrial and interior designer and architect. He has worked with companies like Alessi, Flos, Magis, Seiko, Pulsar, Cappellini, Kankyo, Saab, etc. In 1991 he designed the Italian Pavillon at the exhibition “Les Capitales Europeennes du nouveau design” at the Centre Georges Pompidou.

He has participated in national and international competitions including:
"Shinchenchiku Residential Design Competition", Tokyo, 1980 (1st prize)
"Competition for a square at Santa Croce sull’Arno", Florence, 1980 (1st prize)
"P.A. Conceptual Furniture Competition", Chicago, 1983 (mentioned project)
"Shinchenchiku Residential Design Competiton", 1985 (2nd prize)
"Competition for the restructuring of the historical centre at Casteldisangro-Aquila", 1989 (with Andrea Branzi and Remo Buti - 1st prize).

Some of his projects have received the "Design Plus" award at the Frankfurt Fair- Ambiente in 1994 and 1996, the "Forum Design Hannover" award in 1999 and have been selected at "Compasso d’oro" in 1996 and 1998.
His works are part of the permanent archive of Centre Georges Pompidou.


 

Stefano Sandona

A graduate of the institute of Applied art. Subsequent mature meaningful project experiences and of collaboration with other professional offices and companies in the field of furnishings.

He started his professional activity in 1999, alternating the creation of new products with roles of coordination of research and development inside sector leading companies. In 2006  he founded the office Sandona Design, dealing with industrial design and product consulting, primarily in the sectors furnishing and sporting. His jobs have been exposed in different shows, receiving numerous international recognitions:

- Special mention in the contest YOUNG & DESIGN 2009 during the Salone del Mobile in Milan for the chair Extreme.

The INTERIOR INNOVATION AWARD COLOGNE 2010 for the chair Alhambra.

- GOOD DESIGN AWARD 2009 of the Chicago Athenaeum and Museum of Architecture and Design for chair and barstool Moema

- GOOD DESIGN AWARD 2009 of the Chicago Athenaeum and Museum of Architecture and Design for the chair Extreme

- RED Dot DESIGN AWARD 2010 for the chair Extreme

- RED Dot DESIGN AWARD 2010 for chair Moema


Marco Maran

Marco Maran was born in Siena in 1963. His work with various companies has gained him considerable recognition as a designer.

He has taken part in many national and international exhibitions: 1996 and 2002 one-man exhibitions in Vienna and Paris respectively; 2002/2003 Italian Design On Tour - the selection, certification and promotion of the best Italian products - with Ricciolina chair; 2003 "Dove la sedia incontra la materia" organised by Material ConneXion Milano with the design Zip and Carambola.

His work has been rewarded with many international prizes and awards. Special mention at the 1994 Young & Design competition with the chair Sinué. Second prize at the 1996 Young & Design exhibition with the design Zip. 1997 Granddesign International Award with Chiacchiera. 1997 IIDA prize in the Product Design Achievement Awards with the Scoop chair. Special mention in the 1999 Young & Design competition with the Bla Bla Bla armchair. In 2003 he won the GOOD DESIGN Award of Chicago with the So Happy chair. First prize in 2004, with So Happy and Nuda & Cruda chairs to the idim in Montreal. In 2005 he won the Cata award for the most innovative and reliable chair with the X3 chair. In 2006 he won the GOOD DESIGN Award of Tokyo with Ricciolina and So Happy. Body to Body chair has been selected for ADI DESIGN INDEX 2006.


 




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